Easy to make and learn as well as a lot of fun to play.

How To Build A Cigar Box Guitar

Sound Holes

There’s one final task before you can put everything together – you need to make some sound holes. There are no strict guidelines for number or placement – there are plenty of theories and arguments online as to the perfect placement and number, but at least one sound hole is a must, otherwise your guitar will sound muted and dull. You can cut traditional F holes or simply drill a few holes around the periphery of the guitar. If you want to protect your guitar from extra wear and tear and make it look good to boot, some ventilation grommets or brass bushings work a treat.

Between one and four sound holes are standard in most CBG designs.
Grommets or bushings can protect your sound holes from wear and tear. They also look great.

Stringing and Tuning

The threaded rod bridge and nut are held to the guitar only by the tension of the strings, so it can take some fiddling to get them placed correctly. Placing the bridge around 7cm from the tail edge of the box seems to offer the best results with medium sized boxes, but it will probably take some tweaking to get the guitar to sound just the way you want it to.

When you’ve made all your cuts, your guitar is almost complete.
Pass your strings through the holes in the hinge tail piece, over the bridge and nut and feed them through the holes in the machine heads.
Loop the string around the machine head then pass the end through the small hole in the peg.

Once you have the guitar strung and before you tune it, this is also a good time to check the action. The action (that’s how far the strings are positioned above the body of the guitar) on this build was deliberately left quite high for lap steel style play, but if you’re planning on doing some more traditional fingering you may want to see how things feel and use a rats tail file to deepen the nut groove if necessary.

When you’re happy with the way everything feels, tune your new CBG to any of the myriad standard tunings like G-d-g, D-A-d, g-b-d or d-f#-a (you can find an excellent starting guide HERE) and start playing. You may want to mark some of the key positions such as 5th, 7th and 12th on the neck or choose to keep it fretless. In any case, you now have a hand made, traditional blues guitar to add to the collection.

Ready to give it a go  or have you already built your cigar box guitar? Don’t forget to share your thoughts via the comments box or we’ll never know what you think  :)

This article was originally published in Australian Guitar magazine Issue #93

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